“The opening seconds of Spectral Park's "L'appel du Vide" are reminiscent of the descending trickle that kicks off Ariel Pink's Haunted Graffiti's Before Today cut "L'estat (Acc. to the Widow's Maid)". The two songs also share a tape-damaged production value and a clear admiration for 1960s rock; on "L'appel du Vide", though, Southampton multi-instrumentalist Luke Donovan explores more menacing t”