“The music Kansas City’s Matt Hill makes as Umberto is unabashedly genre-based-- if the horror-film soundtracks of John Carpenter and Italian prog-rock group Goblin can be called a genre. Hill also mixes in hints of Italian disco and house music, but his primary vibe is that of an ominous score to an imaginary slasher flick. His warbly arpeggios continually hint at something dangerous lurking aroun”
