7.5
Avg Score
10
Opinions
#6,912
All Time
14
Tracks
““Today I drop another song in Spanish which I know means another day of disappointment for my English speaking fans who do not wish to make the attempt to listen to music in languages they can’t understand,” Kali Uchis tweeted back in October. Seconds later, she added a caveat – mono or bilingual, she appreciates everyone’s support as she navigates “starting practically as a new artist in a whole ”
“On her first Spanish-language LP, the Colombian American singer eclipses crossover appeal with a moody, hopscotch pop take on the boleros, reggaetón, and Latin soul of her youth.”
“While by no means a sophomore slump, Sin Miedo may leave the listener a little too hungry for more.”
“That Kali Uchis’ second record is almost entirely in the Spanish language represents a calculated gamble. It is, on the on hand, laudable; she’s fully embracing her Colombian roots when the obvious commercial decision would have been to follow-up 2018’s critically-adored (and prophetically-titled) Isolation with another predominantly English record, one that surely would’ve kept her on a firmer fo”
“If Ariana Grande is pop’s Barbarella, then Kali Uchis is surely its Pussy Galore. The Los Angeles-based 26-year-old specialises in slow-jam hybrids of shimmering soul, lipgloss-sticky funk, sugary R&B and syrupy trap-pop with (you get the consistency) a Y2K hyperreal sheen. Her EP from April this year didn’t sound that far off Grande’s Positions. Embracing her Colombian heritage with her first ful”
“**💭 Thoughts:** Kali Uchis’ second album, * Sin Miedo (del Amor y Otros Demonios) ∞*, further solidifies the Colombian-American singer as one of contemporary R&B’s finest. Compared to her debut, this record has Kali taking a significantly more dreamy and atmospheric route—especially within the first half of the album. However, the time she spent building atmosphere in the first half gets partially left behind within the second half, where she shifts into a more prominent Latin pop sound—a choice I find questionable but respectable. While each track is great on their own, I find the cohesion within this album to be slightly affected by the sudden change. Nonetheless, this is still a wonderful album, and these issues barely matter when it comes down to rating the quality of the album as a whole. **🎶 Tracklist Review** 1. la luna enormada 🔵🥉 2. fue mejor (feat. PARTYNEXTDOOR) 🔵 3. //aguardiente y limón %ᵕ‿‿ᵕ% 🟡 4. vaya con dios 🔵🥇 5. que te pedí// 🔵 6. quiero sentirme bien 🔵 7. telepatía 🔵🥈 8.) no eres tu(soy yo) 🔵 9.) de nadie 🟢 10. ¡aquí yo mando! 🔵 11. te pongo mal(prendelo) 🔵 12. la luz(Fín) 🔵 13. ángel sin cielo 🟢 ──────────────────── **🤔 Track Rating Scale** 🔵 Loved — Thoroughly enjoyed it and will revisit often. 🟢 Liked — Enjoyed it, but it’s not one I’d revisit often. 🟡 Mixed — Enjoyed it somewhat, but some aspects held it back for me; most likely won’t revisit. 🟠 Disliked — Didn’t enjoy it very much; won’t be revisiting. 🔴 Hated — Didn’t enjoy any part of it; no desire to revisit ever again. ⚪️ Interlude, etc. — Not rated as an actual song. ──────────────────── **🏅 Ranking Scale** 10 — Perfect 9 — Exceptional 8 — Great 7 — Good 6 — Decent 5 — Average 4 — Below Average 3 — Poor 2 — Bad 1 — Awful 0 — Unlistenable”
“Sin Miedo is Kali Uchis at her most confident and expressive. The album flows beautifully between Latin pop, R&B, and dreamy soul, all while embracing her roots without losing her signature softness. Songs like “telepatía,” “Fue Mejor,” and “vaya con dios” feel intimate, warm, and effortlessly addictive. It’s cohesive, emotional, and full of heart. An album that proves Kali thrives when she fully leans into her world and tells her story on her own terms. 💫🎶”
