“Though not necessarily nostalgic, the sound of Bury Me at Makeout Creek, the impressive third album from Mitski Miyawaki, is inventive and resourceful in a '90s-indie way.”
““Sometimes I think I am free,” Mitski sings nearly halfway through her new album, “Until I find I am back in line again.” The moment comes during “Everyone,” one of the more understated, easy-to-gloss-over numbers on Laurel Hell, a record that both buries and embeds its meaning in synthesizer sheen. If the singer-songwriter’s previous records, like 2014’s unfettered Bury Me At Makeout Creek or 201”
“mitski really is my favorite artist. i can’t stress my love for her and her art. the guitar riffs, the vocals, the angst. this album personably asociable with my jump for adolescence to adulthood. i feel like this jump wasn’t graceful and came about in a quick and unpredictable way. it’s a super short album at only 30 minutes long but in those 30 minutes she is able to pack in so much meaning”
“Top 3: LWOASS, drunk walk home, carry me out”