“The last 10 years have been good for Australian dance music. From the blog-electro of the Presets, Cut Copy, Midnight Juggernauts, and Miami Horror to recent breakouts like Flume, there's a sense that Australia is making up for the domestic dance scene it missed in the '70s and '80s, when pub-rock and post-punk reigned. The last couple of years, particularly, have seen musicians taking cues from s”
