“Chelsea Wolfe's last two albums were largely defined by the constraints put on her booming, starbound vocals. 2011's Apokalypsis dunked them in sepulchral noise, while last year's Unknown Rooms: A Collection of Acoustic Songs recast her as a tasteful goth-folk auteur. They both established a pleasing atmosphere, but felt limiting all the same; you sensed her ambitions to go beyond the kohl-streake”
