“Radiohead have been paranoid androids for nearly two decades, but they haven’t exactly been wrong. In the time period spanning from 1997’s OK Computer to 2003’s Hail to the Thief**, no one made music that, with just a little hindsight, seemed so prophetic, so tapped into the impending fears of our time, whether it was consumerism, social alienation via technology, political apathy, or terrorism. “”
