“A contender for the year's most literal track title, Malory's onomatopoeic "Dah" does just what it says on the tin. Don't go expecting George Kranz, though, even if the plunging bass parts here sound as though they might, in fact, have originated with the Bungee-jumping call-and-response melody of the German musician's 1983 hit. Nervous and linear, "Dah" indulges in only the most rigid kind of fun”
