“A million-and-a-half trends, microgenres, and mini-movements cycled through the club world during Daniel Avery’s five-year absence from electronic music, from lo-fi house to hardvapour. His last album, 2012’s Drone Logic, showed Avery as a tasteful if traditionalist big-room techno producer, adept at writing mean hooks tailored for high-end sound systems like the one at Fabric in London (his local”
