“Ever since Edinburgh duo Alex Ander and Marc Dall rechristened themselves as Dalhous, they’ve cloaked themselves in an impenetrable gloom. While their previous work as Young Hunting mined the more melancholic corners of plaintive chamber-pop, 2012's Mitchell Heisman EP for Blackest Ever Black marked a shift toward bleakness; the EP itself took its title from the name of a man who posthumously publ”
