“There is a scene in Sini Anderson's upcoming Kathleen Hanna documentary where the musician's husband, Adam Horovitz, calls her 1997 solo LP under the Julie Ruin moniker a "masterpiece"; the record that made Hanna a "real" musician. His description is apt. In all its scratchy, home-recorded brilliance-- the lo-fidelity, high-fervor sound of a woman alone in her bedroom-- Julie Ruin carried a sense ”
