“Eartheater's debut album Metalepsis, released in March, felt beamed in from some barely-inhabited alternate universe. Alexandra Drewchin, the woman behind the project, had done time in Brooklyn chaos-creators Guardian Alien, but the mood of Metalepsis was almost eerily sedate. Drewchin's helium-high voice floated and swooped as gracefully as a hummingbird, and the music was a lush tangle of silver”
