“The concept behind Zola Jesus' last full-length, last year's Taiga, remains intriguing, even if the album's execution was a little flawed: Nika Roza Danilova's rich, space-gobbling voice fronting melodies and arrangements cleaner and more precise than anything she'd written before. In its finest moments, Taiga hinted at a vision of cavernous, natural electro-pop more refined than anything in Danil”
