“Lost in the polyglot-fusion and secret-identity hubbub for last year’s excellent World Music, the debut from mysterious Swedes Goat, was the act’s surprising efficiency. Belying their rookie status, Goat’s songs often got in and out of places very quickly, with five of World Music’s nine tracks doing their psych-Aftrobeat-garage damage in less than four minutes. The record itself was a deep web of”
