“Daughn Gibson has a thing for old cowboy music-- the kind that you find on musty, old shellac in thrift shops. He largely built his solo debut, All Hell, out of those records' bits and parts: imagine James Blake in a ten-gallon cowboy hat, or J Dilla working out a serious Glenn Miller jones, and you might be floating somewhere near the stylized little Americana snow-globe that Gibson is gently sha”
