“True, Clem Snide's music shares similar funhouse-mirrored folk/bizarro-country concepts with the likes of veterans Lambchop and Palace. Unlike the great Lambchop, however, Clem Snide's contribution to the Snore-core movement features little but silly, oblique wordplay with music as mere afterthought: lethargic bass lines, barely-strummed C, G and F chords, maybe some morbid violin accompaniment. I”
