“Judging by the psychedelic, ’60s album artwork, its title, and Shana Cleveland’s origins as frontwoman in twisted LA retro-pop outfit La Luz, you might have a pretty good idea of what you’re going to encounter on this record. Such preconceptions are borne out on its floaty, serene opener, ‘Don’t Let Me Sleep Too Late’ – a short, sweet song that feels like neither a bad trip or a good one, but one ”
