“Jan Jelinek titled his 2001 full-length *loop-finding-jazz-records* in reference to his compositional technique: sampling and manipulating tiny fragments of jazz vinyl. Critics never failed to mention how it was put together, and a lot of them claimed to hear elements of the source material in Jelinek's grooves. As much as I loved *loop-finding-jazz-records*, I didn't really hear the jazz embryo i”
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