“Jeremy Warmsley made his name in the mid-00s with a strain of intelligent, introspective and gently synthy folk-pop that, though never massively popular, now feels hugely redolent of the era. Two albums in, the Londoner swapped indie sad-laddery for deliciously kitsch earworms as one half of Summer Camp. More recently, he has carved out a successful sideline in film and TV soundtracking.
Clearly,”
