“O, the four-track. Simultaneously the most naively underrated and clumsily misused tool in all music (besides maybe the euphonium), it inhabits a special place in every musician's heart. It's where many of us laid our first bedroom opuses to tape, songs unmolested by Audio Units Parametric EQ'ing or other digital affectations. It's also a device that many (wrongly) associate with bad songs: Just b”
