“Two years ago, when Devlin emerged from self-imposed exile from a grime scene that he’d spent a few years as one of the leading lights of, he caught listeners off guard; suddenly, the angry young man who’d weaponised fury and made it his calling card was striking a considerably more introspective – and occasionally self-excoriating– tone. ‘The Devil In’ was an album forged fiercely in his own imag”
