7.0
Avg Score
7
Opinions
#30,483
All Time
12
Tracks
“Our take on the art-pop duo's 'I Can Feel You Creep Into My Private Life'”
“Tune-Yards implore us to listen to other voices, and the way we use our own”
“When Merrill Garbus emerged nine years ago as Tune-Yards, she was a one-woman force of nature armed with just a ukulele, a loop pedal and one hell of a pair of lungs. Since then, the New England eccentric has beefed up her band – fourth album ‘I Can Feel You Creep Into My Private Life’ is the first time long-time collaborator and bassist Nate Brenner is billed as an official band member – and cre”
“On her confrontational fourth album, Merrill Garbus wades into the politics of being white in America. It is musically and lyrically ambitious, but its grander themes land with an uncomfortable thud.”
“Written in Oakland between January 2016 and August 2017, ‘I Can Feel You Creep Into My Private Life’ is a joyful, ’80s-inspired, electronica romp through the fraught socio-political landscape of the privileged white millennial. tUne-yArDs creator Merrill Garbus collaborates with Nate Brenner, placing herself at the centre of an examination into the state of things – asking what she ought to do wit”
“Apart from a few bright spots, I Can Feel You Creep contains Tune-Yards' most uninteresting and obnoxious material to date.”
