“The rapper's third album further demonstrates his gift for turning dreamy darkness into Top 40 gold.”
“Despite the fact that he’s cursed (no, really – when he touched the Dybbuk box, the world’s most haunted object, a run of bad luck, including his house being robbed, ensued), Austin Richard Post has had a stratospherically successful few years. All 18 songs from his second album ‘Beerbongs and Bentleys’ charted in the US. He’s smashed streaming records. And he’s been nominated for a Grammy. With ”
“The divisive pop star still gets bogged down in melancholy, but the charm of Post Malone’s third album is in his versatile voice and his ability to make a great hook inside pretty much any song.”
“Post Malone loses focus on his sophomore album.”
“This album doesn’t really follow the concept that it presents itself as, but it is solid in what it is. Although it lacks a real identity, it has high enough highs to make up for it. Its lows really aren’t that low, with the worst being just okay. Good production and catchy melodies throughout. Favs: Hollywoods Bleeding, A Thousand Bad Times, Die For Me, Take What You Want, Internet Meh: On The Road”
“Idc how old this is this is still amazing Circles and Wow even Sunflower made me feel like a little kid watching spiderman for the first time I love this”
