“To call Kilowatthours' sound 'lush', as many have, is like poking holes in a refrigerator box, crawling inside and calling it a planetarium. Their shoegazing emo (shoe-mo?) goes far with basic instruments: on their second full-length, *The Bright Side*, their texture-focused mix of lo-fi keyboards and smearing guitars is rich, but more rough and spontaneous than polished and perfected.
The band's”
