“The most common criticism leveled at Bettie Serveert is that their songs all sound the same, and by extension that the Dutch group's albums are equally interchangeable, showing little deviation from the art-jangle formula established by the Betties' classic 1992 debut *Palomine*. Sure, that album was a college-radio smash, and along with Pavement, Liz Phair and Yo La Tengo, the band helped cement ”
