“Most of David Lynch's official debut, featuring vocal contributions from Karen O and Lynch himself, is what you might expect from an album made by the filmmaker: tense, repetitive bluesy music permeated by reverb and echo. The remaining few songs are not.”
“On Crazy Clown Time, David Lynch indulges in the kind of sonic artistry that has made so many of his movies pretty disturbing. Still, the man's songs, to me, just don't match up.”
“Behind the camera, David Lynch trades in bad vibes and paper-dry humor. His numbing first solo album, co-written with producer Dean Hurley, leisurely indulges the former with none of the latter unless you count the ocassional use of Vocoder. Which actually serves another purpose: To lend Lynch’s awful voice — which ranges from bizarre falsetto […]”
