“If you want to bitch-slap the rat-faced triumvirate of A. Jay Popoff (Lit), Derick Whibley (Sum 41) and Tom DeLonge (Blink 182), you're not alone. The fact is, we all do, but Dillinger Four may want it just a little bit more: the commercialization of punk has made their job considerably more difficult. What used to be artistically relevant has been reduced to a mere marketing gimmick, an excuse to”
