“Moby may look like an unlikely candidate for the gig, but by now he’s the face of modern music. It’s probably just because he likes everything. Too catholic in his tastes to pass for a true dance-floor DJ, he finds his real artistic vocation as the home DJ, the guy obsessively making his own mix […]”
“Say what you will about Moby, but the guy's always been good for throwing his audience a left-handed curveball. Back in the mid-90s, when it seemed safe to assume he was about as popular as he was likely to get, Richard Melville Hall followed up his mostly Eurodance-inspired *Everything Is Wrong* with a grunge record, then followed that with a disc of film scores and a full-on ambient record under”
