“In the 1960s, salsa’s sprightly piano melodies, clave rhythms and syncopated percussion took off in New York, and its deeply kinetic combination became a popular form of dance music. It’s also a contentious umbrella term for a hybrid of Cuban dance styles such as the son montuno and mamba, as well as Puerto Rican bomba and the swing of Latin jazz. For Colombian producers Paulo Olarte and Sebastián”
