“Clark embarks an ambitious and thought provoking adventure targeted at global warming”
“Following the recent turn toward acoustic instruments in his soundtrack work, the UK electronic polymath investigates neoclassical modes on an album inspired by climate change.”
“Since making his debut in the early 2000s, Christopher Clark has earned his place as one of London’s most consistently cutting-edge producers. From the versatile electronic textures of fan favourite Clarence Park to his eerie, pulsating score for last year’s indie-horror Daniel Isn’t Real, you can count on him to push boundaries with each new project. Now Clark has shed his skin once again for his”
