“agit-pop punk sweetened with deep grooves”
“Tune-Yards develop a bold rallying cry filled with familiar offbeat movements on Sketchy”
“inventive, left-field duo’s inspired political pop”
“The art-pop group are back after nearly deciding to disband”
“Sketchy is a nice bounceback for Tune-Yards.”
“Over the course of Tune-Yards’ 15 years, Merrill Garbus has made intense self-reflection sound more interesting than actually doing it yourself. And after digging into any number of complexities (white guilt, appropriation, femininity, gentrification…), her conflicted sense of self is a lively presence that’s always made Tune-Yards feel deceptively joyful. At face value, Garbus and husband/bassis”
