“At the end of last year, the Guardian declared Beatrice Dillon “the most thrilling new voice in British electronic music”, and her first full-fledged solo LP, Workaround, demonstrates why. Put together during stolen moments over three years, it feels as though it’s been in the works for even longer. She released a solo mini-album in 2014 and has busied herself with collaborations, DJ sets and art ”
“The debut from the London musician is a culmination of her eclectic journey to the vanguard of electronic music. It is a marvelous paradox: Despite the music’s rigidity, it breathes like a living thing.”
“Beatrice Dillon sets out her vision to take dance music forward on Workaround”
“The term “experimental electronic” seems to be used for two sounds lately: skull-shaking acts signed to Sweat Equity, and otherwise normal albums drenched in reverb. It’s nice, then, to hear Beatrice Dillon’s new record, Workaround, which is – whisper it – actually trying something different. Dillon makes a point of resisting reverb, instead clipping and vacuum-sealing every drum hit and beat. She”
