“I love experimental music, but so much of it never really hits me in the chest. It’s rare to come across an album that both genuinely experiments and retains the knack of pulling at you emotionally. There’s maybe a couple albums a year that do this. Recently, that’s been Daniel Bachman’s The Morning Star, Caterina Barbieri’s Ecstatic Computation and Liz Harris’s Nivhek project. And now, Tony Njoku”
