“Conceptually, New York prog rockers Coheed and Cambria seem inaccessible. The entirety of their 20-year output, save a one-off detour in 2015, has taken place in a sci-fi cosmos called Heaven’s Fence. What started as a way for frontman and comic book geek Claudio Sanchez to express himself has spiralled into a mess of metanarratives with countless characters.
On Vaxis – Act II: A Window of the Wa”
