“What became of the early 2010s British psych revival? Not, it would turn out, a great deal at all, and for a time Toy seemed destined for the same lacklustre, mushy shoegaze fate as their other half-forgotten contemporaries. That was until this year’s Happy in the Hollow, a bolt from the blue that saw Toy discover a menacing pop sensibility that didn’t ever seem to be previously present. This is c”
