“If you’ve tracked any of Lambert’s prolific run of work since 2014 (he’s turned out an album every year since), it’s clear that behind his Sardinian mask aesthetic, and the playful, highly technical reworks of Oasis’ ‘Wonderwall’ and Moderat’s ‘Bad Kingdom’, his proficiency as a pianist definitely isn’t po-faced.
The mockumentary brilliance of Becoming Lambert (a 10-minute film short where a grou”