“On their riveting new album, the 25-year-old singer-songwriter-producer shifts from future-shocked electronic pop to a super-sized emotional bloodletting steeped in ’90s alternative.”
“Each project from Singaporean-British singer-songwriter Nat Ćmiel, AKA Yeule, comes as a surprise. Their 2014 self-titled debut EP was a blend of ethereal, processed vocals with melodically driven electronic production, while 2019’s Serotonin II album manoeuvred through dream pop and wistful electronica, and 2022’s breakthrough Glitch Princess produced shuddering dancefloor beats. Their latest rec”
“It’s impressive how yeule, real name Nat Ćmiel, has become one of the boldest voices in hyperpop given the genre’s boundary-breaking standard. Their 2022 album ‘Glitch Princess’ garnered critical acclaim as they documented their growing derealisation, body dysmorphia and drug use. It was a somewhat uneven record, oscillating between soft emo-pop standouts like ‘Don’t Be So Hard On Your Beauty’ and”
“yeule delves into their emotional wounds on softscars”
“Are you bored of AI art yet? More specifically, are you bored of art inspired by AI? You’d be forgiven. So much of it is hackneyed slop without any bite. It’s late-stage Black Mirror tackling late-stage capitalism, Grimes songs called things like ‘I Wanna Be Software’, and video games called things like Cyberpunk 2077. Yeule is not that. The Singaporian-born alt-pop artist uses their sad robot per”
