“Maya Hawke becomes her own saviour on Chaos Angel”
“The singer, songwriter, and actress returns with more witty folk-pop that can get mired in half-hearted experiments.”
“Maya Hawke's two albums, Blush and MOSS, were perfectly amenable collections of folk-pop confessionals, all united by her breathy tone and evocative free-poetics. There's a slightly ingratiating effect in her genuine affection for sound, with Blush in particular bristling with the joy of experiment; she's a true lady of the canyon, indeed. If culture feels it pertinent to examine intentions (I don”
