“On her fourth album, the singer runs with her own ideas more fully than ever”
“The pop star’s fourth LP is a transitional record mistakenly labeled as a statement album. Her impressionistic tale of lost love and aimless youth is electrifying but inconsistent.”
“It would be easy to pick on Camila Cabello. The painfully obvious rebrand she underwent for her fourth solo album conjures images of panicked music executives brainstorming on a whiteboard to figure out how to backtrack on the disappointing impact of the pop star's 2022 record Familia. There are legendary pop acts, like Madonna, who rebrand successfully for nearly every new release. So why can't C”
“a party girl rebrand – and scrappy, intriguing earworms”
“Havana star’s bad-girl reboot is totally unconvincing”
“The pop star’s fourth studio album is remarkably apathetic and lacks the charisma needed to leave any kind of worthwhile impression.”
“you couldn’t pay me to listen to this album again in full but i do enjoy some of the songs. i wanted to give this album a chance, knowing it’s hated on, and i’m glad i did. the songs i like i really like and the songs i don’t i really do not like them. i also think the record is overall inconsistent and does not make the point she is trying to make. to me she has come off more desperate in these songs than anything, but what do i know? songs of note: twentysomethings, BOAT, june gloom, GODSPEED”
“Album qui n’a pas été compris, la production est parfaite, mais les lyrics peuvent laisser à désirer (seulement pour deux sons mais c’est personnel).”
“SO much better than everyone gave her credit for”
“Misunderstood album but haves a lot of good bops”
