“At the time of its release in 2001, the liquid, jazz-inflected electronic of Telefon Tel Aviv's *Fahrenheit Fair Enough* provided welcome respite from IDM's relentlessly brittle and increasingly boring routine. Steeped in the same burbling warmth that defined Scott Herren's pre-Barcelona output as Savath & Savalas, *Fahrenheit* politely suggested a new direction that electronic music might take, o”
