“On her third album for Hyperdub, Laurel Halo continues to resist classification and deflect interpretation by treating the human voice like a synthetic material to be molded and shattered.”
“After seven years, five EPs and now three albums, Laurel Halo’s love/hate relationship with her own voice shows no sign of abating. On her debut EP, ‘King Felix’, she placed it front and centre, untreated and seldom harmonised, allowing it to soar over her futuristic RnB productions with vibrato and almost operatic zeal. She then desecrated it spectacularly on ‘Quarantine’, her masterpiece first a”
