“On the cover of American Recordings, Johnny Cash’s stunning 1994 comeback album, the Man in Black stands squarely between Sin and Redemption — literally, since that’s what he named the black-and-white dogs that flank him as he glares into your soul. At the time, he also felt between sin and redemption metaphorically and the album was a leap of faith. The new archival compilation, Songwriter, which”
“Working once again with Brian "Danger Mouse" Burton, the Black Keys try for a moodier, more atmospheric record. Turn Blue sounds distant and subdued, a murky-sounding collection of '70s stoner-rock facsimiles and swirling gray tones.”
“The Black Keys drop their most bloated and tame album to date with Turn Blue.”
