“The liner notes for Light in the Attic’s new reissue of L’Amour, the only known album by an artist known as Lewis*,* read more like a murder mystery than a making-of. Full of gently dissolving melodies and gossamer synths (credited to a guy named Philip Lees, also a mystery), the album has become crate-digger lore, as much for the backstory as for the music itself.”
