“Anjimile matches rustic experimentation with modern angst on The King”
“With a return primed for coronation, the Durham-based folk singer radically upends his sound to craft a grand portrait of fiery rage and tender self-mythologizing”
“Channeling Old Testament themes of righteous fury and justice, the indie-folk singer embraces a pared-back sound that only amplifies the drama.”
“Anjimile‘s second record The King takes an unflinching look at the ugly face of America: not the land of self-actualisation or healing, but somewhere that poses constant risk to Black and trans people. It’s a much darker outlook than on his first album Giver Taker which, despite having been written during the gruelling ordeal of rehab, gravitated towards healing and personal growth. It also celebr”
