“Mother Monster’s sixth album returns to the dance floor and favors consistency over flash”
“Lady Gaga returns to dance pop infamy while turning her attention inwards”
“What a relief: the “real” Lady Gaga is gone. For a while, it looked like pop’s high priestess of serious silliness was being sucked into the Slough of Authenticity – first with her supposedly stripped-back, country-inspired 2016 album Joanne (in truth, about as stripped back as Universal Studios is when compared with Disney World), then with her garlanded turn in A Star Is Born and its painfully e”
“Her dive back into disco, electro-pop, and house music couldn't come at a better time”
“pure pop celebration from an icon in a world of her own”
“With incomparable flair, the pop diva returns to her dance-pop days with a fabulously fun and deeply personal album that is at turns bizarre, theatrical, and ambitious.”
“Chromatica is a triumphant return to the dance floor for Lady Gaga—a pulsating, emotional, and deeply cathartic pop odyssey. Packed with high-energy beats and shimmering synths, the album harks back to Gaga’s early dance-pop roots while pushing her sonic palette into more refined, futuristic territory. Songs like “Rain on Me,” “911,” and “Free Woman” blend club-ready production with raw, introspective lyricism, creating a powerful contrast that defines the heart of the album. What makes Chromatica so special is its vulnerability beneath the glitter. Gaga lays bare her struggles with mental health, trauma, and identity, all wrapped in the euphoric rush of house-inspired beats. The interludes and orchestral flourishes add a cinematic flair, giving the album a sense of cohesion and narrative rarely seen in modern pop. While a couple of tracks may not hit as hard as the standouts, Chromatica is still one of Gaga’s most focused and emotionally resonant works. It’s more than just a dance album—it’s a journey through pain, healing, and empowerment, all set to an irresistible beat.”
“CHROMATICA — RATE 01. Chromatica I — interlude 02. Alice — 10/10 03. Stupid Love — 10/10 04. Rain On Me — 10/10 05. Free Woman — 9/10 06. Fun Tonight — 10/10 07. Chromatica II — interlude 08. 911 — 10/10 09. Plastic Doll — 9,5/10 10. Sour Candy — 10/10 11. Enigma — 10/10 12. Replay — 10/10 13. Chromatica III — interlude 14. Sine From Above — 8,5/10 15. 1000 Doves — 9/10 16. Babylon — 9/10 Álbum: 9,71/10 Best: 911 Worst: Sine From Above”
“I was surprised I didn’t like it, fun but very repetitive which makes sense cause covid”
