“As the 2000s turned into the 2010s, Anaïs Mitchell seemed an easy artist to peg. Her career was plodding along in unassuming style, somewhere in the region where country and folk meet alt-rock. She had well-reviewed albums released on her own label, sessions for the Bob Harris show on Radio 2 and NPR’s Tiny Desk, support slots with Bon Iver. That was before she developed a Greek mythology-themed s”
“Anaïs Mitchell embraces the stillness of life on her powerful self-titled return”
“On her first album of all-new solo material since 2012, the Vermont-based folk singer reflects on her life with measured reverence.”
