“Kelly Moran’s breakout second album, last year’s ‘Bloodroot’, was an exercise in restraint: everything on the record originated exclusively from the piano being plucked, struck, ebowed or otherwise tampered with in order to break away from the traditional sound of the world’s most ubiquitous musical instrument. That restraint is gleefully discarded for her follow-up and debut for Warp, as acoustic”
“The prepared-piano specialist abandons the meticulous compositions of her previous albums, editing down improvisations and bejeweling them with layers of synthesizers and effects.”
