“Steven Coates must spend a lot of time swimming through the currents of his unconscious. A few years ago, Coates awoke from a dream certain he had been 1930s jazz dandy Al Bowlly and 60s cult actress Tuesday Weld in the nocturnal presence; that day he adopted a new name, sidetracked a career in the visual arts, and began to make modern music that drew inspiration from classic European cabaret and ”