“It’s easy to dismiss an album like Glimpse of Heaven when you first hear it. The fourth album by LA-based project Chasms – and the first to effectively serve as the solo project of frontwoman Jess Labrador – superficially feels of a piece with the three before it. In fact, it doesn’t seem too different to anything we might have loosely labelled ‘futurist dub pop’ over this last decade, at least si”
