“In her previous releases Elsewhere and We Used to Bloom, British-Jamaican artist Denai Moore incorporated R&B, folk and electronic influences, positioning her sound as having no boundaries. For her third album, her genre-blending tracks explore the paradoxical isolation that arises in an age when we are supposedly more connected than ever. Moore’s hypnotically sinister beats take the listener on ”
“Denai Moore delivers a vast soundscape on her third album Modern Dread”
“LOUD AND QUIET CAN ONLY SURVIVE WITH READER SUPPORT. PLEASE CONSIDER SUBSCRIBING FOR LESS THAN £1 PER WEEK. It’s not hard to figure out why Denai Moore named her latest album Modern Dread. One look at the news and social media reveals it’s the overriding emotion that’s dragging us through 2020. With the help of Everything Everything’s Alex Robertshaw, Moore has captured the detached reality of mo”
“gifted vocalist showcases signs of gentle evolution”
